​ARTIST STATEMENT

Transition

I've moved. I'm now settled in a new studio, but for the time being, without the kiln I built over forty years ago.

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Although there is a kiln-building project underway, I'm taking advantage of this transition period to experiment with different clays and new techniques. It's an opportunity for some self-reflection: why not white clay; why not air-dry clay?
 

My familiar figures, some more recent than others, will therefore be joined by a few new and contrasting pieces that will be exhibited for the first time.
 

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